Below are some photos taken with my new, shiny, digital PENTAX . I will try to publish the most beautiful with some frequency ... I hope you enjoy!
david.kujan
david.kujan
Wednesday, April 19, 2006
How Too Install Warcraft 3 With Daemon
light.at.two.lights
Light at Two Lights (1927) Watercolor on paper
14 x 20 inches
Hopper, Edward
Collection of Blount (Alabama) 
Light at Two Lights (1927) Watercolor on paper 14 x 20 inches
Hopper, Edward
Collection of Blount (Alabama)
Tuesday, April 18, 2006
Who Makes The Skate Shirt With All The Guns
night.hawks
Nighthawks (1942)
Oil on canvas
30 x 60 inches
Hopper, Edward
The Art Institute (Chicago)
Nighthawks (1942) Oil on canvas
30 x 60 inches
Hopper, Edward
The Art Institute (Chicago)
Friday, April 14, 2006
Tom Delonge At The Grammys
summer.interior
Summer Interior (1909)
Oil on canvas
24 x 29 inches
Hopper, Edward
Whitney Museum of American Art (New York)
Summer Interior (1909) Oil on canvas
24 x 29 inches
Hopper, Edward
Whitney Museum of American Art (New York)
Laser Printer Not Working Memo
berlusconi.mania
But the real protagonist of these days, as of the past weeks, as is usual B. A Titan able to raise alone, the fate of the moribund House of Freedoms ( in the sense of 'we are all a bit like fuck it seems'...). Fini and Cas ini? Obscured, if not annihilated by the presence and charm Berlusconi. In recent televised debates, the unanimous opinion (whose?) Was that of a Prime Minister 'Cooked', improbable, far from the Italian reality. Quite the contrary.
Personally, I felt that the message Berlusconi was making breakthrough, perhaps because (less hypocritical than many voters 'olive') I felt the modest effects on my thinking and, above all, on my mood. But if I tried to approach the subject with my friends left, I looked at all of the horrified and disgusted and told to sleep nights sleep, to reflect on the anger of the Italians, tired (really?) of doing the story-telling Tycoon Arcore .
The fact is that better than anyone else, B. interprets and reveals the demands, needs, in a word feel , a substantial proportion (and probably the majority) of our country. I will not dwell on that particular charge that the majority of feelings expressed (cunning? Supposed cunning? Want to break the mold? Carelessness? Arrogance? Exhibitionism?) - Sar was too sad to talk about it - but knowing now indisputable that B. is the only politician capable to move and join a community (his fans) who lives in perfect symbiosis with its leaders. The Knight has earned the right to a place among the stars: the berlusconimania that makes it so strong and hypnotic its election message, in the same way a Vasco Rossi can demand and get the adoration of his fans. It would be more correct, certainly more orthodox, place B. alongside a Robbie Williams or Britney Spears rather than a Fini and Casini (in comparison, real antiques, antiquities from modernism).
In this sense, the message Berlusconi is light years away from traditional politics, conventional and it is this distance that reflects its electorate, appreciate and ultimately rewarding. Not surprisingly, when the 'anointed not taken the field at the regional and municipal ammisitrative of (it may do so only with the gift of ubiquity, faculty negatagli unfairly by a God too generous ...) the House of Freedoms suffered and suffered severe setbacks as inevitable.
The only question that still haunts me is: what is the distance between that B. , the television star, and B. private true (assuming, of course, that this distance there ...)?
david.kujan
Well, it seems that the alliance of center-left (left and center, given the disappointing results of and Margaret 's Udeur ) is in a position to rule, claiming a victory is but narrow.
But the real protagonist of these days, as of the past weeks, as is usual B. A Titan able to raise alone, the fate of the moribund House of Freedoms ( in the sense of 'we are all a bit like fuck it seems'...). Fini and Cas ini? Obscured, if not annihilated by the presence and charm Berlusconi. In recent televised debates, the unanimous opinion (whose?) Was that of a Prime Minister 'Cooked', improbable, far from the Italian reality. Quite the contrary.
Personally, I felt that the message Berlusconi was making breakthrough, perhaps because (less hypocritical than many voters 'olive') I felt the modest effects on my thinking and, above all, on my mood. But if I tried to approach the subject with my friends left, I looked at all of the horrified and disgusted and told to sleep nights sleep, to reflect on the anger of the Italians, tired (really?) of doing the story-telling Tycoon Arcore .
The fact is that better than anyone else, B. interprets and reveals the demands, needs, in a word feel , a substantial proportion (and probably the majority) of our country. I will not dwell on that particular charge that the majority of feelings expressed (cunning? Supposed cunning? Want to break the mold? Carelessness? Arrogance? Exhibitionism?) - Sar was too sad to talk about it - but knowing now indisputable that B. is the only politician capable to move and join a community (his fans) who lives in perfect symbiosis with its leaders. The Knight has earned the right to a place among the stars: the berlusconimania that makes it so strong and hypnotic its election message, in the same way a Vasco Rossi can demand and get the adoration of his fans. It would be more correct, certainly more orthodox, place B. alongside a Robbie Williams or Britney Spears rather than a Fini and Casini (in comparison, real antiques, antiquities from modernism).
In this sense, the message Berlusconi is light years away from traditional politics, conventional and it is this distance that reflects its electorate, appreciate and ultimately rewarding. Not surprisingly, when the 'anointed not taken the field at the regional and municipal ammisitrative of (it may do so only with the gift of ubiquity, faculty negatagli unfairly by a God too generous ...) the House of Freedoms suffered and suffered severe setbacks as inevitable.
The only question that still haunts me is: what is the distance between that B. , the television star, and B. private true (assuming, of course, that this distance there ...)?
david.kujan
Thursday, April 13, 2006
Is Myammee Breast Fake
wise.up.and.save.me
david.kujan
I recently passed an exam university dedicated to the analysis of musical languages \u200b\u200byouth (in short, the rock / pop music from its birth until today). The examination was developed in the discussion of my drawn from an argument agreed with the teacher. In particular, I presented a paper on the music of the soundtrack of a film released in 1999: Magnolia, directed by Paul Thomas Anderson.
The analysis focuses on a comparison between a sequence of film where each character plays in a kind of choral , the song from the soundtrack 'Wise Up' and v ideoclip the song 'Save Me ', also part of the soundtrack of the film. The paper draws its inspiration from two 'visual texts' but devotes its major attention to the role that music and the lyrics take on the overall economy of the film. All this, accompanied by a specially edited DVD from some sequences 'extracted' from original DVD.
Why do you tell this story? Simple. The teacher who evaluated my work called it 'unfit for a course that deals with the analysis of musical languages \u200b\u200bsociosemiotics' arguing that it might be more suitable for a 'audiovisual course in semiotics'. What is the difference? In practice, the better to present this work in a course that deals with film versions, as in the case of a film. In fact, our course was chock full of 'visual tours': video clips of David Bowie and REM, the Beatles anthology celebrating the , the film 'Quadrophenia', dedicated to WHO .
What to say? I remain convinced of the goodness of my work and I think it has taken (the prof. Spaziante ) shortly to the vision of the material that I provided. Of course, if some of you (?) Would look at my developed ... feel free to leave a message in the comments and I will send him a copy !
The analysis focuses on a comparison between a sequence of film where each character plays in a kind of choral , the song from the soundtrack 'Wise Up' and v ideoclip the song 'Save Me ', also part of the soundtrack of the film. The paper draws its inspiration from two 'visual texts' but devotes its major attention to the role that music and the lyrics take on the overall economy of the film. All this, accompanied by a specially edited DVD from some sequences 'extracted' from original DVD.
Why do you tell this story? Simple. The teacher who evaluated my work called it 'unfit for a course that deals with the analysis of musical languages \u200b\u200bsociosemiotics' arguing that it might be more suitable for a 'audiovisual course in semiotics'. What is the difference? In practice, the better to present this work in a course that deals with film versions, as in the case of a film. In fact, our course was chock full of 'visual tours': video clips of David Bowie and REM, the Beatles anthology celebrating the , the film 'Quadrophenia', dedicated to WHO .
What to say? I remain convinced of the goodness of my work and I think it has taken (the prof. Spaziante ) shortly to the vision of the material that I provided. Of course, if some of you (?) Would look at my developed ... feel free to leave a message in the comments and I will send him a copy !
david.kujan
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